Multiphonics singing, also known as overtone or throat singing, is a unique vocal technique that enables a singer to produce two or more pitches simultaneously. Practiced for centuries in cultures like Tuva and Mongolia, this art form uses precise control of breath, vocal tract, and resonance to emphasize overtones above a fundamental pitch.
How to Sing Multiphonics
Find Your Fundamental Pitch: Start by humming a comfortable, steady note—your base tone. Lower pitches often make overtones easier to isolate.
Control Your Breath: Use deep, diaphragmatic breathing to support your voice and maintain a consistent tone.
Shape Your Mouth and Tongue: Move your tongue and adjust your mouth position to isolate overtones. Experiment to find positions that create higher pitches.
Emphasize Overtones: Slightly adjust your vocal tract to highlight faint, whistle-like overtones above your main note.
Use Nasal Resonance: Engage the nasal cavity to amplify overtones, focusing on vibrations in your nose and sinuses.
Explore Different Styles:
Khoomei: Soft, whistle-like overtones.
Sygyt: High-pitched, flute-like sounds.
Kargyraa: Deep, growling tones.
Frequencies in Multiphonics Singing
Fundamental Frequencies: Base notes range from 80-300 Hz, depending on your vocal range.
Overtones: Higher pitches follow the harmonic series, from octaves to perfect fifths and beyond.
Practicing Multiphonics
Warm Up: Begin with humming and scales to prepare your voice.
Record and Review: Listening to your practice helps refine technique.
Experiment with Acoustics: Sing in resonant spaces to better hear overtones.
Seek Guidance: Learn from teachers experienced in overtone singing.
Conclusion
Multiphonics singing is a captivating vocal art that unlocks new soundscapes and offers a path to personal exploration and sound healing. Through practice, patience, and creativity, this ancient technique can transform your singing and deepen your connection to the power of sound.
